Books Without Character

Books Without Character

Rachel Cusk’s protagonist, Faye, narrator of the novels Outline, Transit, and Kudos, is a strangely silent, receptive character who acts as a blank page on which others unspool their stories. At times heart-wrenching, philosophical, and bleakly mundane, these stories slide off her seemingly without effect—or affect. Everyone else goes on about themselves at length, but Faye reveals almost nothing of herself. She is cold and withheld—for me, a distinctly unlikeable character.

“I’m not interested in character,” Cusk says, ” because I don’t think character exists anymore.”

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Nota Bene

Nota Bene

Thomas Hardy typically had several notebooks on the go, each one carefully labelled Poetical Matter; Literary Notebook; Studies, Specimens, etc; or Facts. In Facts, Hardy and his first wife, Emma, recorded curious incidents culled from local newspapers. One three-line entry is titled “Sale of Wife”—a note that grew into The Mayor of Casterbridge.

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As I wrote Gutenberg’s Fingerprint, I thought a lot about books, what they are, what they mean, why I love them, how they are changing and how they are becoming what they started out to be. The brain doesn’t turn off when an editor says “Stop!” so in Books UnPacked, these thoughts spool on, exploring the past and future of books, and the actual books I’m unwrapping to read.

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