March marks the beginning of the new year for indigenous peoples in this part of the world, and for gardeners everywhere. The sense of renewal that requires real effort to conjure on January 1 comes naturally in March. It’s spring, the equinox is past, the sun is now in ascendance and the world is bursting with blossom and courting display.
Each year when I arrive in San Miguel de Allende, I set my suitcases inside the door and immediately walk out into the town. Yes, the sidewalks still insist we tread single file; the Parroquia still glows pink as the sun sets; the iron benches in the Jardin still hoard the day’s warmth. But look! The giant Christmas tree has moved to Plaza Civica. From our new digs, I hear the bells of not three churches, but five.
This first walk settles me in the same way that running my fingers over the spines of my books settles me: reading the titles, even thinking of them, lifts my heart into a place that is at once familiar and everlastingly new.
When Helen Keller was eleven, she wrote a story called “The Frost King.” The Perkins School for the Blind published it in their alumni magazine. Almost immediately, Helen was accused of stealing the idea from Birdie and his Fairy Friends,
a book she’d never heard of. Her teacher, Anne Sullivan, discovered that someone had, in fact, read the book to Helen when she was eight, finger-spelling the words for the blind, deaf child. Helen had no memory of this. For hours, the girl was grilled by a jury of teachers. She was absolved, narrowly, but the ordeal triggered a nervous breakdown. She never wrote fiction again.
The tower of books on a bookseller’s front table swells the newly published author’s heart with joy. She swoons, imagining all the happy readers laying down their hard-earned dollars to take this book home, where they will slowly turn the pages, revelling in her story, finally shelving her book with all their other treasured tomes. This is the fantasy.