Rachel Cusk’s protagonist, Faye, narrator of the novels Outline
, and Kudos,
is a strangely silent, receptive character who acts as a blank page on which others unspool their stories. At times heart-wrenching, philosophical, and bleakly mundane, these stories slide off her seemingly without effect—or affect. Everyone else goes on about themselves at length, but Faye reveals almost nothing of herself. She is cold and withheld—for me, a distinctly unlikeable character.
“I’m not interested in character,” Cusk says, ” because I don’t think character exists anymore.”
Writing used to mean penmanship. Then it became a profession, a conveyor of stories and facts. It has always been a radical act.